Showing posts with label classic nude. Show all posts
Showing posts with label classic nude. Show all posts

20 March

27 August

Article from Model Society: Mature Nude Models

Model Society: An essay about mature nude models

Maria: The Advantages of Maturity
By David Bollt on August 20, 2014

Maria started modeling at age 43 with a remarkable passion and dedication, that helped her transcend expectations of what a model is supposed to be.

She embraces herself and others as being beautiful, each in their own unique light. Maria truly sees the things that others may view as imperfections, as her individual signatures.

What was your inspiration for becoming a model?

I started my career when I became 43 years old. My children went to the next schools, and I wanted to get to work again and have a passion in life. Modeling is some sort of dream for lots of girls/women. I just stepped into the modeling world, signed in at agencies, created a website, signed up on forums, worked on my portfolio (on TFP base) for a long time. I learned by failure and success.

My age has been an advantage as there are not much older , new-come, models around who are fresh faces in the market and willing enough to travel, work hard at rates which are not based on five figures. I never represented myself as young and frustrated, but as a lady who is proud of her age, her body, her looks and is still willing to learn and to grow (old) hahahaha….

15 August

Oxford Encyclopedia of Photography - History of Erotic Photography and Art

Erotic photography is particularly difficult to define and delimit. Occupying a fluid position between the academic nude and pornography, definitions of it have varied from period to period, influenced by shifting sensibilities and moral standards, and by authors' more or less overt or conscious intentions. Arguably any nude photograph, simply by virtue of its realism, was capable of appearing erotic to 19th-century viewers, so that even the most coldly academic studies were banned from display in photographers' windows. The exhibition in 1857 of Rejlander's rather chaste composition The Two Ways of Life shocked the public because the right-hand portion of the picture presented, with the most moral intent, nude women in lascivious poses. Nudes were officially excluded from photographic exhibitions until the last years of the 19th century, when soft focus and the artistic ethos of the pictorialists finally gave them the right to appear in public.